When discussing idiomatic writing and playability, we all tend to focus on the actual notes. While all of these questions are vital, it’s just the beginning. This article will delve into WHY readability is so important for music notation.
Readability often determines playability Read More »
with composer Adam Kennaugh “As a new music harpist, Danielle Kuntz is dedicated to bringing new music to life. Danielle believes that the longevity of the classical music industry relies on
Episode 29 of the Making Noise Podcast Read More »
With Angela McCuiston and Jen Kabbas on the Tuned & Strong Podcast. “Why did they write it like that??” Compositions, and especially many pieces of new music, can create many
Injury Prevention from a New Music Perspective with Danielle Kuntz (Parts 1 and 2) Read More »
Harp glissandos usually sound great, but composers still wonder how to notate them in a playable manner, In this post, Danielle shares tips and examples of how to write playable glissandos.
Notating a Glissando on the Harp Read More »
With Garrett Hope on The Portfolio Composer podcast As a new music harpist, Danielle Kuntz is dedicated to bringing new music to life. She has focused her career on connecting living composers
Danielle Kuntz on The Toolbox Sessions and Writing for Harp Read More »
Most of us are familiar with the term glissando. While other instruments can play glissandos, this technique is typically associated with the harp, since it is comparatively easier to execute
What are Harp Glissandos? Read More »
Did you know that the harp sounds very different, depending whether you write in the high, low, or mid registers? As a composer, you can learn how to utilize the various registers of the harp so that you know EXACTLY how your music will sound!
Registers of the Harp Read More »
“That sounds muddy.” What do harpists mean by that? In this article, Danielle discusses how to navigate the resonance of the lower register of the harp.
Harpists like blocks. I’m not talking about toys, it’s a practice technique. When we have passages with arpeggios and patterns, instead of practicing the individual notes, we often practice playing
Harpists think in “blocks” Read More »
We have a few different types of harmonics available on the harp. Keep reading to learn more! Regular single harmonics Available for both hands, within the mid-range of the harp.
Different kinds of Harmonics on the harp Read More »
