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Enharmonics. You may be wondering why harpists always talk about this concept. For most instruments, ‘enharmonics’ are redundant. Yes, E# the same as F. On the piano, it is exactly […]

Do harpists have too many rules? If you’re a composer, these rules may feel arbitrary and frustrating. But if you learn the “why” behind these rules, you can start to think like a harpist and these guidelines will feel intuitive. Here’s an example…

Is the harp “more difficult” than the piano? In this article, Danielle discusses the four motions of playing the harp and why you need to think of the harp differently than the piano

If you are a composer who uses any chromaticism, you’ve probably wondered this! In this article, Danielle discusses how to reframe this question for maximum chromatic flexibility.

Feel overwhelmed by adding harp to your arrangements? Like there’s too many details to remember? The struggle is real! I talk to a lot of composers who understand the harp

Have you ever been told not to worry about the harp pedals? I’ve heard a lot of harpists say this to composers. Here’s why I disagree.

Watch my new YouTube video to learn the framework I use to organize all the information you need to know about writing for the harp!

I created a new FREE 10 step checklist with some harp-specific tips on formatting a clean, readable harp score. Get your copy today!

Why are harpists so picky about music notation? The shape of the harp is a big factor. Read this article to learn more and join my email list to get my harp formatting checklist!

When discussing idiomatic writing and playability, we all tend to focus on the actual notes. While all of these questions are vital, it’s just the beginning. This article will delve into WHY readability is so important for music notation.