“It’s so awkward.” If a harpist has said this to you, you’re not alone. Even the great composers have written impossibly awkward music for the harp. Writing idiomatically for the […]
How to Voice Chords and Arpeggios on the Harp Like a Pro Read More »
This article could also be titled “5 Ways to Avoid Turning Your Harp Part into an Unplayable Mess!” Over the last year, I have worked with numerous composers on editing
5 Ways to Include the Harp in Orchestration Read More »
Ties in music are necessary for most instruments. But, are they actually helpful for the harp? In this article, Danielle outlines why you might want to limit your use of ties in harp notation.
Should you limit the use of ties on the harp? Read More »
What is the optimal range for a glissando? It’s probably larger than you think! In this post, Danielle discusses the two variable for determining the best length of glissando.
Glissando range on the harp Read More »
To maximize playability and readability for the harp, divide notes by register, not by hand. Constant staff changes can disrupt the flow, but you have other options! Read this post for details and illustrations
On the harp, divide notes by register, not by hand Read More »
Does it sounds like harpists use the terms “pedal chart” and “pedal changes” interchangeably? What do these terms mean?
Pedal Charts and Pedal Markings on the Harp Read More »
