Learn the complete range of the pedal harp (C1–G7) and how to write effectively in each register. Practical harp writing tips for composers.
Understanding the Range of the Pedal Harp: A Composer’s Guide Read More »
Harp Tips Blog
When should you use ledger lines on the harp? This is a common question I often discuss with composers. If you’ve ever wondered about this, make sure to bookmark this
When to Use Ledger Lines in Harp Writing Read More »
Harp Tips Blog
How difficult is the harp cadenza found in Ravel’s Piano Concerto? In this video, Danielle breaks down the techniques used in this cadenza: glissandi, harmonics, and large left hand chords.
The Harp Cadenza from the Ravel Piano Concerto in G Major Read More »
Harp Tips Blog
A glissando is a slide between two notes. On the harp, a glissando is executed by sliding the finger from the starting note to the ending note. Depending on the type of glissando, different notational components may be required. In this article, we will discuss each of these components and when to use (or not use) them.
How to Notate a Harp Glissando Read More »
Harp Tips Blog
Are you curious about the top 10 orchestral harp audition excerpts? In this YouTube video, Danielle discusses the components of playability, orchestration, and enjoyment in several common orchestral harp excerpts.
Ranking the TOP 10 Harp Audition Excerpts Read More »
Harp Tips Blog
The double-action pedal harp is a specific type of harp that uses pedals to change the pitch of the strings. The strings on the harp are equivalent to the white
How do Pedals Work on the Harp? Read More »
Harp Tips Blog
This article could also be titled “5 Ways to Avoid Turning Your Harp Part into an Unplayable Mess!” Over the last year, I have worked with numerous composers on editing
5 Ways to Include the Harp in Orchestration Read More »
Harp Tips BlogWith Joseph Sowa (Wizarding School for Composers) Harp is one of the most confusing instruments to write for. My guest today is Danielle Kuntz, a contemporary harpist and harp notation coach, who
Writing for Harp? Danielle Kuntz Explains the 4 Mistakes Every Composer Should Avoid Read More »
InterviewsWith David Lane and the Musician Toolkit If you’re not a harpist and wanting to compose, the harp can be a mysterious instrument. It can play all of the notes of a
The Musician Toolkit Episode 28: Composing for the Harp Read More »
Interviewswith composer Adam Kennaugh “As a new music harpist, Danielle Kuntz is dedicated to bringing new music to life. Danielle believes that the longevity of the classical music industry relies on
Episode 29 of the Making Noise Podcast Read More »
InterviewsWith Angela McCuiston and Jen Kabbas on the Tuned & Strong Podcast. “Why did they write it like that??” Compositions, and especially many pieces of new music, can create many
Injury Prevention from a New Music Perspective with Danielle Kuntz (Parts 1 and 2) Read More »
InterviewsWith Garrett Hope on The Portfolio Composer podcast As a new music harpist, Danielle Kuntz is dedicated to bringing new music to life. She has focused her career on connecting living composers
Danielle Kuntz on The Toolbox Sessions and Writing for Harp Read More »
Interviews